So, I was complaining about how I was out of room on my workbench and had no real room to expand. Kathy’s response: why not rearrange this stuff like this, do this, and take over the whole other side of the basement instead? Woo hoo!
The last project I did before rearranging was a limberjack, an Appalachian dancing puppet. (You may recognize him from Mister Show if nothing else.)
I’ve been interested in wooden automata for a while, and the book Making Mad Toys & Mechanical Marvels in Wood has some great full-scale plans.
The first project in the book is a limberjack, so I thought I’d give it a shot. It turned out to be an excellent introduction to the whole process, from transferring the pattern, planning the cutting, and assembling.
Using the scroll saw, it took a loooong time to cut the pieces from such thick wood, even though it was just soft basswood. Although he’s a bit rough, I really like how he came out. I was especially proud of the joints. As soon as he was finished, I put on some good bluegrass and let him dance!
After that project, it took several months of weekends to get everything moved around the way I wanted, but it’s finally done. Instead of one workbench jammed in between the beer fridge and the electrical panel, I’ve got 2 workbenches and a sit-down worktable. That gives me enough room to get a couple power tools in and star doing a little more complicated work. Kathy got me a bandsaw for my birthday, and my dad is giving me his old table saw. We also had some additional outlets put in, and some overhead lighting so I can finally see what I’m doing.
It’s really exciting, and hopefully I can do justice to all this new potential. I want to start off with some simple wooden toys, and continue looking into automata. Now that I can use the bandsaw to rough stuff out, I hope to be able to get more done, quicker. I also want to learn more (well, anything) about electronics and do some simple projects, and, and, and…

On Saturday Jim and I drove out to East Stroudsburg PA to visit the
The museum is quite small (this image shows about 75% of it) but it’s an inspiring sight. To stand in front of a single Frazetta painting from only a foot away is fantastic, and to see them all at once is almost overwhelming. It was hard to keep from running all over the place going “There’s that one! Ooo there’s that one!” Although I have several books of his work, I was surprised to see how much detail is not reproduced in print. The makeup on the Egyptian Queen, the scars on Conan’s face, were so incredible.